“Jamie Kilstein is amazing and I will be spreading the word. He has the spark that energized my conscience. We need more comedians kicking it hard the way he does every night” – Robin Williams
“Watching Jamie reminds me of why I got into comedy. It is like watching a combination of George Carlin and Bill Hicks” – Janeane Garofalo
“FANTASTIC! Profound and very funny. I absolutely loved it!” -Brian Eno, Grammy Award Winning Music Producer
“Jamie Kilstein is a doofus.” –Glenn Beck
“[Jamie KIlstein] mixes music and rants to produce politically charged songs that echo the likes of Joe Strummer and Bill Hicks – The Skinny UK
“Like an underground Daily Show affiliate with more swearing, less civility, and zero budget, the daily political-comedy talk show Citizen Radio addresses the news of the day with a side-eyed glance at what, how, and why news is reported … For those who view mainstream news and think, ‘That can’t be right, and surely someone has something funny and insightful to say about it before 11 p.m. ET,’ Citizen Radio is a must.” – The Onion’s A/V Club
“Hilarious and scathing” – Rolling Stone Magazine
“Jamie Kilstein and Allison Kilkenny have created an important political radio show that balances humor and unreported news. At a time when media conglomerates dominate the airwaves, independent media like Citizen Radio is vital to national discourse.” – Noam Chomsky
“Jamie Kilstein is at once irresistibly endearing and wonderfully audacious. Watching his work is like going to cuddle a puppy and having it hump your leg. But funnier.” – Tim Minchin
“Comedy and music have always been instrumental in distilling the essence of political debate and social issues. In a time where artists and comedians too often shy away from that legacy, Citizen Radio is a rare gem of reason and thought-provoking dialogue. Jamie and Allison are intelligent and unapologetic agitators in a world that needs some shaking up, and I, for one, am grateful for that” – Tim McIlrath, Rise Against, lead singer
“Jamie Kilstein is one of the funniest and smartest humans on the planet: his rocket-powered wit leaves you gasping – for more: sheer brilliance.” – World famous Philosopher and Professor A.C Grayling (Suck on it, high school.)
“Jamie’s unique style of stand up is artfully thoughtfully and powerfully funny. His balls are so big that must be where he keeps all the funny!” – Paul Provenza (Creator and Director of The Aristocrats)
“★ ★ ★ ★ … Politically engaged humour…The delivery is passionate, fast-paced and, when he uses notes for absolute precision, almost poetic.” – Bruce Dessau, The Standard UK
“★ ★ ★ ★ ★ — Kilstein, is to me eerily reminiscent of Bill Hicks and not in the sense of an astute impersonation but as if we are witness to some sort of Second Coming. Eloquent intelligence, razor-sharp wit and unconventionally convincing arguments. Kilstein is a special talent and one that I feel privileged for having seen at this early stage of his career.” – Broadway Baby
“★ ★ ★ ★ — This is beautifully, intelligently crafted stuff. Kilstein is possibly the most impressive writer/performer, I have seen – his set is so well written it could have a life apart from him and still be brilliant. Performed by him gives it an added oomph, but I have not been so aware of the writing quality of a comedy set this year.” – Kate Copstick, The Scotsman
“★ ★ ★ ★ — In this brisk, fluid hour he’s sharp, sarcastic and engaging, fearless in niggling his targets and knows how to write a joke to back up his incredulous indignation…as funny as it is audacious.” – Chortle
“★ ★ ★ ★ ★ — Kilstein’s savage intelligence and razor-sharp wit will make you think as much as laugh…Damned funny. Working in the same sort of education-by-comedy mould of the likes of Bill Hicks and David Cross” – Andrew P Street, Time Out Sydney
“★ ★ ★ ★ –It might make his hero Bill Hicks spin in the grave, but Jamie Kilstein is not afraid to stick a cat story into a 70-minute touring show.” – Brian Donaldson, The Scotsman
“Jamie Kilstein is a comedian – and there is no arguing with the fact that he is blisteringly funny. Charmingly frenetic, urgent and unquestionably earnest, Kilstein is a searingly entertaining spectacle.” – GiggleBeats
“There are few truly insightful, passionate and hysterically funny political comedians around, and even fewer coming out of the States. New Yorker Jamie Kilstein is a shining light probing into the murkier corners of the religious right and corrupt politics of his homeland. Funny and penetrating, he’s taken Bill Hicks’ baton and run with it.” – Time out London
“Jamie Kilstein is not the kind of comic who will sit back and make jokes about a subject when he could get actively involved.. So, rather than simply wisecracking about the rightwing bias of Big Media, he set up his own left-leaning news and comedy show, Citizen Radio – almost certainly the only podcast in the world to give Sarah Silverman and Noam Chomsky equal airtime. ” The Guardian
“If you liked Bill Hicks… If you think comedy should be about something more than just froth and banter… If you want to hear someone standing-up for freedom of speech and smacking religious bigotry and political stupidity squarely in the face… then this hugely talented American is the guy for you.” – Time Out Critics’ Choice
“Jamie Kilstein kills. His show is the kind you walk away from feeling a sense of euphoria.Kilstein dissects the racism, sexism and homophobia prevalent in today’s society with unrelenting ease, somehow still providing a laugh a minute. My festival favourite so far. Impeccably crafted, his show ends on an impassioned note earning him mad applause that didn’t stop once he’d left the room. Engaging, insightful and nothing short of brilliant.” – The Pun, Melbourne
“Not many have the power to mingle didactism and socio-political awareness with killer jokes and the word ‘fuck’, but comedic preacher-man Jamie Kilstein is one of the chosen few. He’s like a Bill Hicks that you wouldn’t mind taking home to meet your mum… and he could probably teach your conservative stick-in-the-mud dad a thing or two about the world, as well.” – Drum Media Sydney “Sharp, unafraid and eloquent” – Sydney Morning Herald ‘Hot Pick’
“Searingly funny, highly intelligent and courageously irreverent” – The Daily Telegraph
JAMIE KILSTEIN AND THE AGENDA
Jamie Kilstein is one of today’s most powerful progressive voices, his righteous rants and searing social commentary earning him international applause and the enraged ire of the vast right wing media conspiracy. “A BIT MUCH,” the debut album from Jamie Kilstein and The Agenda, sees the NJ-born provocateur unleashing his own intrepid brand of colloquial punk blues, meshing his often hilarious, always acute insights with riotous riffs and with a beat you can tear down the system to. Songs like “Fuck The NRA” and the tender “Tiny Humans” burn with Kilstein’s trademark wit, wrath, and compassion, their unstoppable hooks and memorable melodies new ammunition in his ongoing war with the greedheads and homophobes, misogynists and morons that stand in the way of both peace and progress. Jamie Kilstein and The Agenda’s “A BIT MUCH” is a rabble-rousing rock ‘n’ roll salvo straight into the face of our complacent and still too conservative culture.
“Music is what first taught me about injustice,” Kilstein says. “Music is where I heard people speaking out against the war and defending the outcasts. Kids watch the news and see the same old white assholes that have destroyed our country time and time again, so they turn it off and then are called apathetic. They’re not apathetic – they just know those guys are full of shit. Maybe with music I can reach all of those disenfranchised people and tell them it’s going to be okay. That we still have the power to fight.”
A self-described “weird awkward kid with a Walkman,” Kilstein found respite from hard times at home and high school via an obsession with music born the day a couple of older kids at the local YMCA blew his mind with Bad Religion’s “STRANGER THAN FICTION” and Pearl Jam’s “TEN.” He tried drums but soon moved on to guitar, drawn to the electric blues via Jimi Hendrix, Stevie Ray Vaughan, and Buddy Guy. Autodidactic and genre-agnostic, Kilstein dropped out of high school with no aspiration other than music. But when the other members of his teenage jam band went off to college, Kilstein found himself last man standing. He put his guitar down and directed his energies towards another more individual form of expression.
“My dad would say, if music falls though, you need a back-up plan,” he says. “Um, I have a back-up plan, Dad. I do comedy.”
Kilstein crafted a fairly traditional stand-up but as progressive politics grew more central to the act, he started working out material at New York City slam poetry clubs like the Nuyorican Poetry Café, redirecting his humor into long form diatribes built upon rhythm and rage.
“That was the first time my audience wasn’t frat boys and rich white people,” he says. “It was this diverse crowd, they weren’t too cool to laugh or clap, people would stand up on their chairs and cheer when I said the things that got be booed at a comedy club.”
Despite escalating attention, Kilstein remained, for all intents and purposes, homeless – living out of his car for nearly two years, making minimal ends meet with gigs in coffeehouses or anywhere else that might allow him to spew on their stage. Among those who took a shine to Kilstein’s refusenik comedy was legendary comic, actor, and director Paul Provenza (The Aristocrats), who suggested the junior stand-up join him at 2007’s annual Edinburgh Fringe Festival. Kilstein hustled up enough cash to get himself to Scotland where, with Provenza’s help, he arranged an appearance at one of the Fringe’s famous late night comedy jams. A nascent version of what would become the album’s “Don’t Ask Don’t Tell (For Homophobes)” brought the house down, earning him rapturous cheers unlike he’d ever received before. Tears in his eyes, Kilstein started his second piece, a screed lamenting the corporatization of music, when the house DJ began backing him with a track by Explosions In The Sky, the epic instrumental builds syncing perfectly with his barbed words and verbal flow.
“I got so into it,” he recalls. “I was slamming my foot on the stage, literally lifting my leg and slamming my foot down. And then the place went crazy. The host lifted me onto his shoulders; it was like a movie moment. I walked off stage and this 6-foot Dutch guy comes up to me and says, ‘What are you doing tomorrow?’ I said, ‘Being homeless.’ Next thing I know I’m booked at Lowlands, this festival in the Netherlands, watching Tool with members of Arcade Fire. I remember thinking, this is what I want to do.”
Kilstein ranted on, developing pace and purpose, occasionally inviting musicians to accompany him onstage. Kilstein toured the planet from comedy dives to the world famous Sydney Opera House, headlining clubs and performing at festivals like the UK’s Latitude and Reading/Leeds. Extensive coverage accrued over the decade, highlighted by appearances on TBS’ Conan and Showtime’s The Green Room with Paul Provenza as well innumerable spots on MSNBC, FX, NPR, CNN, and countless media outlets around the world.
Kilstein earned himself a number of famous fans from among the comics, writers, and musicians he admires most, people like Moby, Bad Religion frontman Greg Graffin, and such like-minded modern punk bands as Rise Against and Anti-Flag. Particular support – professional and personal – came from Robin Williams, a friend and mentor since the late comic caught a politically charged gig in San Francisco.
“Robin compared my rants to music the first time he saw me,” Kilstein says. “I would call him to talk comedy, I called him when I quit drinking, I called him when I was depressed. He supported Citizen Radio for a while when things were rough. He had my back.”
He bought a guitar, his first since high school, and began writing songs, starting with the rants as his foundation but developing into true songcraft as he taught himself how to sing.
“Singing was one of my biggest fears,” Kilstein says. “I would only do it when the house was empty. But all of a sudden I was like, I really like singing! Now I can write a bunch of hooks and melodies!”
The songs spilled out, articulate aural outbursts like “War” and “Every Country Song Ever.” Kilstein began bringing his guitar to gigs, closing sets with a musical number or two to progressively more positive responses, including that of veteran indie rock producer Kevin Salem (Giant Sand, Mike Doughty).
“Kevin felt it politically and musically,” Kilstein says. “He wanted to do something different that would really throw people for a loop.”
Salem helped Kilstein gather a number of studio specialists to back him as The Agenda, including guitarist Nick Phaneuf, bassist Greg Glasson (Seal, Alanis Morrisette), drummer Joe Magistro (The Black Crowes, Tracy Bonham), and iconic cellist Jane Scarpantoni (Lou Reed, Beastie Boys, King Missile). Recorded over three December days at Woodstock, NY’s Applehead Studios, “A BIT MUCH” is, like Kilstein himself, deeply rooted in 90s-era alt.rock, equal parts hardcore energy, straight edged hooks, and a classicist sense of musicality and adventure. Kilstein walks a path tread by experimental artists spanning iconic provocateurs like Henry Rollins and Jello Biafra to such contemporary bands as La Dispute and Listener. Songs like “How Not To Be A Dick (To Women)” and “Don’t Ask Don’t Tell (For Homophobes)” veer freely between punk primitivism and anarchic improvisation, the music’s raw power amplifying Kilstein’s kinetic verbal energy while also giving him space to not a punch line every 60 seconds.
“Comedy is just another tool,” Kilstein says. “It’s just another accent, like a guitar solo or a high note or a harmony. It’s just another piece to the songs.”
“JFC” and the fully improvised “This Is NYC” offer sharp shocks to the system, emotional blasts of populist power in the face of unstoppable elites and institutions, but Kilstein also has additional goals in mind. “A BIT MUCH” is loaded with what Kilstein calls “songs for weirdoes and outcasts,” tracks like “Nerd Love” or the album-closing love song to his fans, “Maniac.”
“I don’t want to just preach my political beliefs,” Kilstein says. “Music gives me the chance to connect with people on a more personal level than comedy. I can write songs about Jesus taking a girl to get an abortion or I can write love songs about being this misunderstood nerd in love with another misunderstood nerd.
“It is just as much of a political statement to sing an anti-NRA song as it is to tell kids that it’s okay to be an introvert or have anxiety or whatever. That shit’s political too – maybe more so.”
Protest music in the truest sense, “A BIT MUCH” will likely ruffle some feathers and burn a few bridges. Once again, Kilstein is determined to bring much-needed change to a culture still irrefutably backdated.
“There is rampant homophobia, racism, and sexism in the music scene,” he says, “so of course it will still be a fight. But it’s a fight I want.”
Indeed, Kilstein has long swum in the same slipstream as bands like Anti-Flag or Against Me! but was separated from his fellow outsiders – “the transgender feminist vegans” – by the limits of genre. Even more exciting is the opportunity “A BIT MUCH” allows him to connect with a younger audience than ever before.
“We get a couple of emails every week at Citizen Radio from kids thinking about killing themselves,” he says, “but they listen to our podcast and they feel normal, they feel accepted. That’s how music made me feel. So imagine what happens if I put my words in front of music. Imagine, through music, getting to 16-year-olds. Maybe it can help them before they get so depressed in their 20s.”
Kilstein’s aim is both true and ever more necessary. With “A BIT MUCH” Jamie Kilstein and the Agenda present a bold rock ‘n’ roll manifesto of incendiary intent, equally daring in its sonic attack as its thought-provoking message is fraught with palpable purpose. Which is exactly as its forward-thinking author intended.
“If I can get people as excited about the music as they are about the content, that’s success,” Jamie Kilstein says. “We’re already breaking so many rules, why not go all the way with it?”